My favourite bits were filming the photography scene and also reviewing the white scenes on the monitor to see how camera focus and movement was changing. I enjoyed filming the photography scenes because it felt like a truly replicated set, and by that time in the day I was far more loose, whereas when filming the white scenes I was still nervous about performing on camera.
There were times when I found the workshop slightly dull, which was when I did not have anything to do but continue to watch the monitor, but then I realised that I could shadow Nico on lighting or Jack on camera, and it instantly became more engaging and I also learnt more about how to organise a pro-shoot by doing this.
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